Daar Doer In Die Fliek, Episode 29
Temporada 1, Episódio 29
Assista aos episódios completos de Daar Doer In Die Fliek Temporada 1
'Daar doer in die fliek' is a sociable documentary where Leon looks back in nostalgia at the history of Afrikaans films.
During the 1940s a feeling of national unity arises in South Africa, and most of films are about national pride. At the same time Pierre de Wet starts producing films for entertainment.
This week we take a look at André Huguenet's contribution to Afrikaans films, and at the man from the Bushveld who started a small revolution: Jamie Uys.
The first Afrikaans horror "Die man in die donker" sees the light. The beautiful Marie Du Toit makes her debut while Frederik Burgers and Al Debbo win over the nation with their slapstick comedy.
Danie du Toit talks about the contribution of CARFO to the Afrikaans film industry, we focus on the start of the drive-in culture, and Jamie Uys teaches Afrikaners to laugh at themselves.
Al Debbo reaches his peak as actor and director. Filmmakers get nostalgic about the days of the gold rush, and Miemsie Retief becomes South Africa's own Marilyn Monroe.
The Anglo-Boer War has Afrikaans moviegoers reminiscing. The full-blooded Afrikaans musical has a second go at it with "Hoor My Lied", while "Debbie" shocks the nation.
We take a look at Jans Rautenbach's two trailblazing movies: "Katrina" and "Die Kandidaat". Regardt van den Bergh talks about the notorious snooker ball scene in "Die Kandidaat".
Franz Marx takes the industry by storm with "Jy is my Liefling" and "Danie Bosman", while Jamie Uys's son, Wynand, has to endure terrible hardship in the desert for "Dirkie".
We look at Don Leonard's contribution to the Afrikaans industry. Children become profitable in "Groetnis vir die Eerste Minister" and "Pikkie", and "'n Beeld vir Jeannie" becomes daring.
Jans Rautenbach upsets the nation but has critics in ecstasy with "Jannie Totsiens". And Daan Retief tackles the film industry with "Breekpunt" and "Staal Burger".
Jan Scholtz's popular radio serials "Snip en Rissiepit" and "Môre Môre" are filmed by Elmo de Witt. Manie van Rensburg dares to show the Afrikaner as being young and cool.
Dirk de Villiers films his thriller "My Broer se Bril". P.G. du Plessis's play "Siener in die Suburbs" becomes a movie with Francois Swart as director and Koos Roets on camera.
Jamie Uys catches the public by surprise for his trick movie "Funny People"; shortly thereafter his "Beautiful People" wins a Golden Globe Award. And Katinka Heyns tackles comedies.
Army propaganda is popular in movies like Ses Soldate, Grensbasis 13, and Mirage Eskader. Franz Marx creates melodramas en Jans Rautenbach brings Die Rousseau's van La Rochelle alive on film.
Afrikaans movies take a nostalgic look at the past for C.M. van den Heever's Somer. Franz Marx films a thriller, Die Vlindervanger, while Manie van Rensburg mocks Afrikaner conservatism.
Wilna Snyman's "Liefste Madelein" has viewers grabbing their hankies. The first movie about racism in rugby, "Springbok" with Eckhard Rabe and Sybil Coetzee, ruffles many feathers.
Tobie Cronjé has everybody in stitches in "Kom tot Rus" and other movies. Jan Scholtz produces the one film after the other, and "Daar kom Tant Alie" let us forget about politics.
Dirk de Villiers teases the censors with South Africa's first sex comedy, while P.G. du Plessis shocks viewers with a rape scene. "The Gods must be Crazy" breaks all box-office records.
William C. Faure has people talking about his "Plekkie in die Son", while Chris du Toit tries his hand at directing for "Elsa se Geheim".
Betrand Retief mocks politics in "Pretoria O Pretoria!", as Koos Roets does with the Afrikaner's fascination with colour. Marié du Toit films Marida Swanepoel's radio drama "Nicolene".
Leon Schuster makes the first of his prank and gag comedies, while Jans Rautenbach works on his last film, "Broer Matie". Sonja Heroldt makes her debut in "Sing vir die Harlekyn".
Regardt van den Bergh turns army movies around with his "Boetie gaan Border toe" and "Boetie op Maneuvres" with a young Arnold Vosloo. Teenage sex appears in "'n Pot vol Winter".
The film industry experiences a dry spell with a few TV series masquerading as movies. However, Katinka Heyns brings revival with "Paljas", "Fiela se Kind" en "Die Storie van Klara Viljee".
The age of vulgar comedies dawns with Willie Esterhuizen's "Poena is Koning" and "Vaatjie sien sy Gat". "Karate Kallie" and "Bakgat" has youngsters rolling in the aisles.
2011 gives birth to a small renaissance in the Afrikaans movie industry: "Die Ongelooflike Avonture van Hanna Hoekom", "Susanna van Biljon", "Liefling" and the controversial "Roepman".
Afrikaans people love romcoms and we take a look at two of the most popular ones, Semi-Soet and Pretville. Die Wonderwerker raises Afikaans film to art, and Verraaiers shows us our dark side.
Producers try out new formulas. Prescribes school books are filmed, like "Lien se Lankstaanskoene". Deon Meyer writes two scripts, and comedies are still popular.
Afrikaans movies have to be accepted among international films. The raw realism of "Faan se Trein" and the gangster tale "Four Corners" are very far from the popular romcoms.
Within a few years 2011's Silwerskermfees grows into a film festival that includes documentaries and movies in other languages. And our younger talents don't want to play safe anymore.
- 'Daar doer in die fliek' is a sociable documentary where Leon looks back in nostalgia at the history of Afrikaans films.
- Temporadas2
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